He alone, who owns the youth, gains the future.”
“Make the lie big, make it simple, keep saying it, and eventually they will believe it.”Adolf Hitler
Johannes, a zealous member of the Vienna Hitler Youth, discovers a fateful secret – his family is hiding a young Jewish woman, Elsa, in their home. Her life in his hands, Johannes and Elsa embark on a gripping journey of obsession and love that blurs the lines between the captive and the free, the victorious and the defeated, as the horrors of the war unfold around them and each must find a way to survive.
From award-winning writer Desiree Gezentsvey (Nuclear Family) and visionary director Andrew Foster (Red) comes this hauntingly powerful story that lays bare the darkest corners of the human soul. What happens when children innocently embrace an ideological lie, when parents become afraid of their own children, when the lie takes on a life of its own?
Based on Christine Leunens’ novel of the same title, nominated for the Prix Medicis and the Prix FNAC 2007, Caging Skies is a must-see psychological drama that examines truth and lies at both political and personal levels, a play of universal relevance and consequence, not only as an echo of past events that shook humankind to its core, but as a confronting reflection of what is currently happening around us.
…gripping… has haunted me ever since I finished reading it.”New Zealand Books
…beautiful… powerful… surprising and captivating… cannot be forgotten.” Jean Soublin, Le Monde
Desiree was gifted a copy of the book by Christine two years ago and “was instantly hooked”. She goes on to say
My father was a Holocaust survivor who was both helped by courageous, righteous people and betrayed by others. He taught me to live by the Golden Rule: “Do onto others as you would have them do unto you.” As I peered at the world through the eyes of an innocent Viennese boy (Johannes) who grew up embracing Hitler’s terrible lie, I found myself stepping inside a haunted house, into a love story that encompasses the most complex of human emotions, set against an extreme backdrop in which all lives are at stake. Life or death. What would I do? Would I stand up for my values, risk my life, the lives of my loved ones, to save another? Looking at the realities (and alternative facts!) of today’s world, I hope we will never be confronted with finding the answers to these heart-wrenching questions.
Writing the play has been a challenging and fascinating journey. While it was important to me to stay true to the essence of her remarkable novel, Christine’s priceless send-off, “The novel is mine, the play is yours,” gave me the freedom to dissect, select, create and weave all these threads into a new form, as I imagined the characters coming to life on stage.
As rehearsals begin for the world premiere of Caging Skies, listening to my husband, Yury Gezentsvey, perform on the violin the recording of Jeremy Cullen’s stunning music, and watching our extraordinary cast – Tim Earl, Comfrey Sanders, Claire Waldron and Donna Akersten – embody Johannes, Elsa, Roswita and Oma under the brilliant creative vision of director Andrew Foster, is beyond exciting!”Desiree Gezentsvey
When Christine read the play and saw it develop, she and thought it was exciting, saying
I felt she had entered the universe I had created and had understood it with the same intimacy and depth I did. She saw not only the darkness, but also the potent need for love, the humour and passion for life that rises above war and the worst of humanity. I couldn’t believe how complete the play adaptation felt to me, as she had managed to fit in every scene that was vital to the emotional core of the story. There was one particularly important scene involving some tricky material (I won’t say more) and she took the risk of including it, because it would not be easy to render on stage.Christine Leunens
When Andrew came on as director, Christine reflected that “I really felt that something rare, wonderful and communal was happening.” and when she saw the actors for the first time, she recalls that it was
as if the characters in my inner dream stepped out of the confines of the page and were going to be given the opportunity to exist in ‘real life’, if only for a couple of hours at a time. It has been an extraordinary journey with Desirée, from a common hope to the tangible realisation of complexity; and to see how the story continues to live independently of me is something I, as an author, couldn’t have wished more for!”Christine Leunens
Circa Two – 12 August – 9 September (preview 11 August)
Performance Times: Tuesday to Saturday -7.30pm / Sunday Matinees 4.30pm
Tickets: $25-$52 / Circa Friends $38 / Group discounts
BOOKINGS – 1 Taranaki St / Wellington / 04 801 7992 / www.circa.co.nz/package/caging-skies/